Sharing Play at Dumas Bay SCBWI Illustrators retreat

This past weekend, illustrators from around Washington and Oregon gathered to retreat, play, and learn on the water in Dumas Bay, Washington, and I was among them. We were honored and thrilled to have illustrators Christian Robinson and Catia Chien guide us in our play. What a line up!

Indulge me a minute while I express how giddy I personally was to sign up for this retreat. I am a huge, huge, dinosaur-sized, Christian Robinson Fan. When I pour over his collages I feel the same joy and wonder as I did when I was a child pouring over THE SNOWY DAY and other books by Ezra Jack Keats, my childhood favorite author. And at the same time Christian's work is fresh and modern in a way that offers me joy in the here and now too. Plus it doesn't hurt that LAST STOP ON MARKET STREET (illustrated by Christian and written by Matt de la Peña) is probably my son Lars's favorite book.

Lars, who is 3-years-old, takes the bus in the morning several times a week with Daddy. He is especially excited when his favorite bus, the purple one, is the one that picks him up at the curb. You should see the light in his eyes. But even when it's just the regular bus he loves to climb on and sit by the window and talk about all the noises and people and moments on the bus. LAST STOP ON MARKET STREET is called THE Bus Book in our house even though we have several other bus books. Lars likes to close his little eyes the same time the main character, CJ, does. He closes his eyes and listens to the music, wherever the music is in his heart.

So this past weekend I got to go to Dumas Bay and connect with the music in my own heart. And I got to share that experience with many other illustrators. And I also got to learn from Catia Chien, whose work I was less familiar with ahead of the retreat with but now am excited to love.

I gained insights about my own work and practices as I always do at SCBWI events but the thing that probably will stick with me most was just the realization that no matter what happens externally in the world or my own life, I am an artist and I will always make art. That is the music in my own heart. I don't mean to make it sound like a new commitment, rather a quiet acknowledgement of the obvious and what is already there at a time when so many things in the greater world feel uncertain.

We children's book creators will continue to do this thing because it's what we do. And we will do it with heart and passion and even when we take years to get published, or never are published at all, or are banned, or make mistakes, or whatever, we collectively will keep working to make the world brighter and better through books.

Many thanks to my local SCBWI chapter volunteers, especially Tina Hoggatt, for all the work you did putting this retreat together. And many thanks to Catia and Christian for sharing your light with the world and with us this past weekend.

From a walk I took in the garden at Dumas Bay

Pictures from The Last Bookstore in LA

I had a FABULOUS time at the recent SCBWI conference in L.A. I loved the new location, I took away great thoughts for my work, I got to see muppets in action (!) and I was nominated for the Sue Alexander award.

I've been busy busy busy fixing some work. Sometimes I need a break from the Internet when I'm hard at work/play (am I the only one that feels like the Internet can be an echo chamber?). But I felt like it was long past time I at least posted these pics

Isn't this bookstore amazing? Their art section was my favorite. Although they had a stellar comics section too.

Cheers to a playful and promising summer's last few weeks.

A day of fun at the Eric Carle Exhibit, Tacoma Art Museum

Pardon the lack of posts the last few months. I've been busy getting ready for baby #2 (could be any day now!) as well as catching up on some personal projects after I put in such a push with my illustration work over the spring. 

But I thought I'd check in and post some pictures from a fun day I spent down at the Tacoma Art Museum a few weeks ago. I went to see their latest Eric Carle exhibit and also partake in a fun afternoon of collage with other Eric Carle fans.

 We made our own paste papers in an upper work room of the museum.

 It was a jolly fun time of paint and messes. I felt like I was my son's age again! Fun!

 Here's the two collages I made. The paper we glued on wasn't taped down or stretched so the collages desperately warped (I suspected they would while making them), but it was still a fun exercise in play.

I hope you are getting some play in this summer too.

Happy Summer!

Workshop with Nikki McClure

I've followed Nikki McClure's art since the early 2000's when I stumbled upon her paper-cut work on BuyOlympia.com (one of my favorite early indie craft web sites). Paper-cuts always catch my eye, but Nikki's work especially did so because of its intimacy and heart. Her pieces capture the warm lovely feelings of everyday beauty and relationships. She has a nearly spiritual way of elevating the ordinary through her images that appeals to me. Well that, and it is paper art.

Over the years I've sought out and bought a couple of Nikki's annual self-published calendars and I smiled wide when I saw that she had broken into children's illustration a few years back.

 

So I was thrilled this past fall when I got an email from the Bellevue Art Museum advertising her then forthcoming (and now nearly over! quick rush to Bellevue this weekend!) exhibit. I immediately went to the Bellevue Art Museum's website to see if they had any special events. They did. In early December I attended a great lecture and slide show and then a couple of weeks ago I attended an all-day paper-cutting workshop that Nikki McClure instructed!

Watching another artist at work always helps me gain invaluable insights into new ways I can approach my own work.

 

Nikki McClure's workshop was certainly no exception.

 The day was just the right mix of instruction and play.

 I cut this fish as a warm-up exercise.

 I've always favored using a scissors to a knife in my own collages, but after using a knife that tightened at the bottom (as opposed to where you grip the knife) I felt liberated.

 Who knew such a thing existed? Um... Can I just say sometimes you don't even know that you should be looking for something?

 We can get stuck in ruts and used to working on things our own way with our own methods. I have so long ago rejected using a knife that it had never occurred to me I maybe had never tried using the right knife. Looking outside our usual perspectives can be so, so, valuable.

 I've had some ideas for my collage (for a LOOOONG time) that involve a paper-cut aspect and this workshop has helped me break through the technical side of my ideas so I can make them reality. Cheers for shaking things up.

 I've been playing over the last week. I'll post pictures soon. Meanwhile, here's the piece I made during the workshop (using a drawing from a memory).

 And here's me with Nikki!

Thanks Nikki McClure, wherever you are, for your fabulous workshop, for the inspiration, and for the lovely art you bring into this world! Cheers everybody! Go check out Nikki's work.

"If the children ask, 'What color is God?'..."

"...You can choose whatever color you want. That's why I illustrated the hands here all colors."
--Ashley Bryan, speaking today about an illustration in his book, All Things Bright And Beautiful.

I'm in Los Angeles, California, at the Society of Children's Book Writers and Illustrators' Conference. And to be quite frank, the main reason I knew I had to come was because one of my favorite illustrators of all time, Ashley Bryan, 87, would be here.
I remember when his book, Let It Shine, came out a couple of years ago. I checked it out from the library, along with the enormous stack of picture books I usually check out (how I've missed this ritual in Malaysia!) and one afternoon I opened it to read while my nearly one-year-old baby, Oscar, napped in my lap.

It's a book of three African American Spirituals, all songs I, myself, regularly sang in church growing up. And Ashley's art opened something inside me up that first time I read it -- just like a real, spiritual hymn does, when it's sung from the heart. I remember crying there on the spot, sitting in our rocking storytime chair, cradling my precious little Oscar. I read the book over and over, several times in a row. And I sang the songs the pictures illustrate. Thinking about that moment now, I'm reminded of one of my favorite poems, by the 14th century poet, Hafiz, Dropping Keys.

Dropping Keys
by Hafiz

The small man
Builds cages for everyone
He
Knows.

While the sage,
Who has to duck his head
When the moon is low,
Keeps dropping keys all night long
For the
Beautiful
Rowdy
Prisoners.

To me it felt, and still feels, that Ashley Bryan's illustrations in that book are like the keys. They unlock and open something beautiful inside.

So that brings us back to today. Today also gifted me with a bit of magic. I spent an hour listening to Ashley Bryan talk about creating art. Eyes can tell you so much about a person. Ashley has the kind of eyes that dance. They are alive. (It might be my new biggest dream -- should I be so lucky -- to have my eyes do the same thing when I'm his age).

And his words, too, have the sort of spark that's contagious. By the end of the hour session, every person in that room looked more alive, fired-up, and ready to find and share the best of who they are.
Here's a few quotes (perhaps I should say they are as close to the real quote as possible, I tried as best as I could, but I might have missed the exact way he said them a bit):

"The Artist is not a special kind of person. Every person is a special kind of artist."

"Everyone of us is writing to pull something real and true out of ourselves and give it to the world."

"Whenever we start something new, it's good to affirm who we are within, that's why I start with reciting a poem."

"African American spirituals came from people who worked from the break of daylight to nightfall. But they still created. They found a way."

"My editor wanted me to get something written down about my life. So we talked about it. And in that conversation, she asked me, 'How did you persist through all the obstacles, in your life and somehow still manage to do what you do?' and, well, I answered, 'Isn't that the very story of life?' And isn't it? That's what we do as people -- we work to overcome obstacles. Life's about not giving up when you face challenges but plowing through those challenges. It's everyone's story."

Two more things I learned during the session. First, the xerox photos of scissors on the end-pages in Ashley's books are of his mother's embroidery/crochet scissors and his mother's dress-making scissors. He uses those two pairs of scissors to cut out every collage in his books. His mom never let him play with them as a child, but now he plays with them everyday. I LOVE this. So many artists use razors for cut-paper work. I'm with Ashley. I use a scissors. Scissors are a perfect thing.

Second, Ashley said he always carries around his recorder. As in the instrument. Because he never knows when it will be time to play some music. So he played for us. So fun.

I did take pictures from the session, but unfortunately I didn't bring my camera cord so I can't download them! I'll add them later. *UPDATE*: added them! Sorry it took so long.

Tomorrow Ashley will give the ending keynote address for the conference. You can bet that the last poem of the conference hasn't been recited yet.