Trying Batik

 I finally tried Batik!
 I went to the craft complex near my condo with some out of town guests and we spent "Craft Friday," the day after Thanksgiving, trying our hands at one of SE Asia's favorite art forms.
 The basics: you draw an image with wax, paint over it, and then melt the wax to allow the cloth below to stand out.
 Actually we drew with pencil first, onto silk, then drew with wax.
 Although the women operating the batik booth at the craft complex were willing to do the wax part for us, I tried my hand at it with the Labyrinth I made. It was really fun, even if my hand was a bit shaky and inexperienced with the wax tool. On my second piece I decided to let the ladies help since my second piece was pretty detailed (plus those ladies were so fun to watch!).
 I used part of one of my drawings from last month, the train engine, since I thought it might something I could hang on my son's wall (he loves trains).
 I had so much fun!
 I realized too, that I'm not really as slow as I always say I am at working -- it's just my usual medium, collage, is slow. I was lightning fast at Batik (I made two pieces while everyone else made one and I probably could have made a third).
 If I were a painter, I think I'd be faster. I realize that collage just takes longer. I'm okay with that. It's the medium I dream in, it's close to my heart and it's what I know best. So be it if I'm slower than I'd be in another medium (And I'm still working at making it faster).
 I should have handled the train engineer differently in Batik to make the white outlines work better, I think the engine looked better before the wax was melted. All in all it was a fun experiment, though.
I'm definitely going to try to learn more about Batik while I'm in Malaysia. I think I'll take a more in-depth class sometime in the next few months. I'm thinking it would be cool to use some batik techniques on paper for my collages. At the very least it would be a fun take-home from my two years in Malaysia.

"If the children ask, 'What color is God?'..."

"...You can choose whatever color you want. That's why I illustrated the hands here all colors."
--Ashley Bryan, speaking today about an illustration in his book, All Things Bright And Beautiful.

I'm in Los Angeles, California, at the Society of Children's Book Writers and Illustrators' Conference. And to be quite frank, the main reason I knew I had to come was because one of my favorite illustrators of all time, Ashley Bryan, 87, would be here.
I remember when his book, Let It Shine, came out a couple of years ago. I checked it out from the library, along with the enormous stack of picture books I usually check out (how I've missed this ritual in Malaysia!) and one afternoon I opened it to read while my nearly one-year-old baby, Oscar, napped in my lap.

It's a book of three African American Spirituals, all songs I, myself, regularly sang in church growing up. And Ashley's art opened something inside me up that first time I read it -- just like a real, spiritual hymn does, when it's sung from the heart. I remember crying there on the spot, sitting in our rocking storytime chair, cradling my precious little Oscar. I read the book over and over, several times in a row. And I sang the songs the pictures illustrate. Thinking about that moment now, I'm reminded of one of my favorite poems, by the 14th century poet, Hafiz, Dropping Keys.

Dropping Keys
by Hafiz

The small man
Builds cages for everyone
He
Knows.

While the sage,
Who has to duck his head
When the moon is low,
Keeps dropping keys all night long
For the
Beautiful
Rowdy
Prisoners.


To me it felt, and still feels, that Ashley Bryan's illustrations in that book are like the keys. They unlock and open something beautiful inside.

So that brings us back to today. Today also gifted me with a bit of magic. I spent an hour listening to Ashley Bryan talk about creating art. Eyes can tell you so much about a person. Ashley has the kind of eyes that dance. They are alive. (It might be my new biggest dream -- should I be so lucky -- to have my eyes do the same thing when I'm his age).

And his words, too, have the sort of spark that's contagious. By the end of the hour session, every person in that room looked more alive, fired-up, and ready to find and share the best of who they are.
Here's a few quotes (perhaps I should say they are as close to the real quote as possible, I tried as best as I could, but I might have missed the exact way he said them a bit):

"The Artist is not a special kind of person. Every person is a special kind of artist."

"Everyone of us is writing to pull something real and true out of ourselves and give it to the world."

"Whenever we start something new, it's good to affirm who we are within, that's why I start with reciting a poem."

"African American spirituals came from people who worked from the break of daylight to nightfall. But they still created. They found a way."

"My editor wanted me to get something written down about my life. So we talked about it. And in that conversation, she asked me, 'How did you persist through all the obstacles, in your life and somehow still manage to do what you do?' and, well, I answered, 'Isn't that the very story of life?' And isn't it? That's what we do as people -- we work to overcome obstacles. Life's about not giving up when you face challenges but plowing through those challenges. It's everyone's story."
Two more things I learned during the session. First, the xerox photos of scissors on the end-pages in Ashley's books are of his mother's embroidery/crochet scissors and his mother's dress-making scissors. He uses those two pairs of scissors to cut out every collage in his books. His mom never let him play with them as a child, but now he plays with them everyday. I LOVE this. So many artists use razors for cut-paper work. I'm with Ashley. I use a scissors. Scissors are a perfect thing.

Second, Ashley said he always carries around his recorder. As in the instrument. Because he never knows when it will be time to play some music. So he played for us. So fun.

I did take pictures from the session, but unfortunately I didn't bring my camera cord so I can't download them! I'll add them later. *UPDATE*: added them! Sorry it took so long.

Tomorrow Ashley will give the ending keynote address for the conference. You can bet that the last poem of the conference hasn't been recited yet.

Paper Marbling

A couple years ago, at an SCBWI picture book retreat with

Denise Fleming

, I learned a simplified version of paper marbling using shaving cream and food coloring.

This past week (after finally getting my paper-making area set up in my new studio) I put that knowledge to use!

I didn't use food coloring this time. Instead I used the paper-making dyes I use when I dye the paper I make. I did this so I could play with color a bit more.

I needed some "river" paper, which is why I took this on.

These are some photos of the blue versions.

I also made some muddy brown marbled paper too.

I'm so grateful to Denise for teaching me how to do this!

And I can't wait to see how it looks in the collages I'm working on.

A new point of view

So here I am, typing at my computer in my new studio in Kuala Lumpur, Malaysia. I'm not on the 13th and a half floor as previously promised in a blog post. We opted instead to live closer to my husband's office so his commute would be walkable.

So I'm on the 18th floor of a different building in the heart of Kuala Lumpur's financial district. These photos are of the view I have from my new studio and living room. The first photo is of the iconic Petronis towers and KL tower. The second is of the adjacent park and Mosque.

I wonder what this new point of view will do for my art?

I look forward to finding out.

Yay for J.C. Phillipps!

Have you read this book yet?
It's called Wink: The Ninja Who Wanted to be Noticed by J.C. Phillipps.

It’s about a spirited young Ninja named Wink who is anything but stealth – he is a ham in fact. I especially love the part where Wink dresses up in a ninja costume made from his grandma’s pink floral curtains. I WANT that ninja costume.

Anyway, I'm a big fan and so this past fall when I was lucky enough to win a critique through a charity auction from Wink’s author/illustrator, I was thrilled.

And not only did J.C. Phillipps offer me helpful advice for the story I sent her, she also agreed to answer some interview questions about her work for the SCBWI Western Washington’s upcoming printed Chinook newsletter!

So because the newsletter will be coming out soon, I thought it might be fun to also give her a shout out here on my blog. If you haven’t read her book, go check it out. Also, take a peek at her website and her blog. I especially love the studio tour video she has put up on her website. And I love the recent posts on her blog regarding her process.

Thanks for the critique and interview, Julie! But most especially thanks for the great book! I can’t wait until your next one comes out.