Going on a Whale Watch

I have a couple of fun posts about our trip to Sri Lanka coming up. Thought I'd try something different for this one. Enjoy!


Kjersten (as Mommy) and her son Oscar (age 3) present:
A story we made about whale watching in Sri Lanka! 
Written mostly by Oscar after a song Mommy was making up on the boat.
Please note that some illustrations have been replaced with pictures for the purposes of this blog.
Also, for those who aren't in the know -- this is DEFINITELY not the sort of thing you want to submit to publishers. But, all the same, I do recommend trying this at home.
(kinda sometimes sung to the tune of this song, but not perfectly so by a long stretch):

We saw the Indian Ocean and it was more rough than it should be! 
[don't try too hard to fit that into the melody, I'm telling you it won't work no matter how hard you try, but I digress]
We saw the sea.

Until...
[here's where we kinda loose the song for awhile]





Footnote for those interested: Blue Whales are the big attraction off the coast of Sri Lanka. But we didn't see a Blue Whale (even though they are usually spotted nearly daily at this time of year). We saw a Bryde's whale. Maybe not as big as a Blue Whale, but pretty thrilling anyway. Maybe only slightly more thrilling than your kid telling you he wants to make a story about the experience later that afternoon.

Trying Batik

 I finally tried Batik!
 I went to the craft complex near my condo with some out of town guests and we spent "Craft Friday," the day after Thanksgiving, trying our hands at one of SE Asia's favorite art forms.
 The basics: you draw an image with wax, paint over it, and then melt the wax to allow the cloth below to stand out.
 Actually we drew with pencil first, onto silk, then drew with wax.
 Although the women operating the batik booth at the craft complex were willing to do the wax part for us, I tried my hand at it with the Labyrinth I made. It was really fun, even if my hand was a bit shaky and inexperienced with the wax tool. On my second piece I decided to let the ladies help since my second piece was pretty detailed (plus those ladies were so fun to watch!).
 I used part of one of my drawings from last month, the train engine, since I thought it might something I could hang on my son's wall (he loves trains).
 I had so much fun!
 I realized too, that I'm not really as slow as I always say I am at working -- it's just my usual medium, collage, is slow. I was lightning fast at Batik (I made two pieces while everyone else made one and I probably could have made a third).
 If I were a painter, I think I'd be faster. I realize that collage just takes longer. I'm okay with that. It's the medium I dream in, it's close to my heart and it's what I know best. So be it if I'm slower than I'd be in another medium (And I'm still working at making it faster).
 I should have handled the train engineer differently in Batik to make the white outlines work better, I think the engine looked better before the wax was melted. All in all it was a fun experiment, though.
I'm definitely going to try to learn more about Batik while I'm in Malaysia. I think I'll take a more in-depth class sometime in the next few months. I'm thinking it would be cool to use some batik techniques on paper for my collages. At the very least it would be a fun take-home from my two years in Malaysia.

"If the children ask, 'What color is God?'..."

"...You can choose whatever color you want. That's why I illustrated the hands here all colors."
--Ashley Bryan, speaking today about an illustration in his book, All Things Bright And Beautiful.

I'm in Los Angeles, California, at the Society of Children's Book Writers and Illustrators' Conference. And to be quite frank, the main reason I knew I had to come was because one of my favorite illustrators of all time, Ashley Bryan, 87, would be here.
I remember when his book, Let It Shine, came out a couple of years ago. I checked it out from the library, along with the enormous stack of picture books I usually check out (how I've missed this ritual in Malaysia!) and one afternoon I opened it to read while my nearly one-year-old baby, Oscar, napped in my lap.

It's a book of three African American Spirituals, all songs I, myself, regularly sang in church growing up. And Ashley's art opened something inside me up that first time I read it -- just like a real, spiritual hymn does, when it's sung from the heart. I remember crying there on the spot, sitting in our rocking storytime chair, cradling my precious little Oscar. I read the book over and over, several times in a row. And I sang the songs the pictures illustrate. Thinking about that moment now, I'm reminded of one of my favorite poems, by the 14th century poet, Hafiz, Dropping Keys.

Dropping Keys
by Hafiz

The small man
Builds cages for everyone
He
Knows.

While the sage,
Who has to duck his head
When the moon is low,
Keeps dropping keys all night long
For the
Beautiful
Rowdy
Prisoners.


To me it felt, and still feels, that Ashley Bryan's illustrations in that book are like the keys. They unlock and open something beautiful inside.

So that brings us back to today. Today also gifted me with a bit of magic. I spent an hour listening to Ashley Bryan talk about creating art. Eyes can tell you so much about a person. Ashley has the kind of eyes that dance. They are alive. (It might be my new biggest dream -- should I be so lucky -- to have my eyes do the same thing when I'm his age).

And his words, too, have the sort of spark that's contagious. By the end of the hour session, every person in that room looked more alive, fired-up, and ready to find and share the best of who they are.
Here's a few quotes (perhaps I should say they are as close to the real quote as possible, I tried as best as I could, but I might have missed the exact way he said them a bit):

"The Artist is not a special kind of person. Every person is a special kind of artist."

"Everyone of us is writing to pull something real and true out of ourselves and give it to the world."

"Whenever we start something new, it's good to affirm who we are within, that's why I start with reciting a poem."

"African American spirituals came from people who worked from the break of daylight to nightfall. But they still created. They found a way."

"My editor wanted me to get something written down about my life. So we talked about it. And in that conversation, she asked me, 'How did you persist through all the obstacles, in your life and somehow still manage to do what you do?' and, well, I answered, 'Isn't that the very story of life?' And isn't it? That's what we do as people -- we work to overcome obstacles. Life's about not giving up when you face challenges but plowing through those challenges. It's everyone's story."
Two more things I learned during the session. First, the xerox photos of scissors on the end-pages in Ashley's books are of his mother's embroidery/crochet scissors and his mother's dress-making scissors. He uses those two pairs of scissors to cut out every collage in his books. His mom never let him play with them as a child, but now he plays with them everyday. I LOVE this. So many artists use razors for cut-paper work. I'm with Ashley. I use a scissors. Scissors are a perfect thing.

Second, Ashley said he always carries around his recorder. As in the instrument. Because he never knows when it will be time to play some music. So he played for us. So fun.

I did take pictures from the session, but unfortunately I didn't bring my camera cord so I can't download them! I'll add them later. *UPDATE*: added them! Sorry it took so long.

Tomorrow Ashley will give the ending keynote address for the conference. You can bet that the last poem of the conference hasn't been recited yet.

Paper Marbling

A couple years ago, at an SCBWI picture book retreat with

Denise Fleming

, I learned a simplified version of paper marbling using shaving cream and food coloring.

This past week (after finally getting my paper-making area set up in my new studio) I put that knowledge to use!

I didn't use food coloring this time. Instead I used the paper-making dyes I use when I dye the paper I make. I did this so I could play with color a bit more.

I needed some "river" paper, which is why I took this on.

These are some photos of the blue versions.

I also made some muddy brown marbled paper too.

I'm so grateful to Denise for teaching me how to do this!

And I can't wait to see how it looks in the collages I'm working on.

A new point of view

So here I am, typing at my computer in my new studio in Kuala Lumpur, Malaysia. I'm not on the 13th and a half floor as previously promised in a blog post. We opted instead to live closer to my husband's office so his commute would be walkable.

So I'm on the 18th floor of a different building in the heart of Kuala Lumpur's financial district. These photos are of the view I have from my new studio and living room. The first photo is of the iconic Petronis towers and KL tower. The second is of the adjacent park and Mosque.

I wonder what this new point of view will do for my art?

I look forward to finding out.

Yay for J.C. Phillipps!

Have you read this book yet?
It's called Wink: The Ninja Who Wanted to be Noticed by J.C. Phillipps.

It’s about a spirited young Ninja named Wink who is anything but stealth – he is a ham in fact. I especially love the part where Wink dresses up in a ninja costume made from his grandma’s pink floral curtains. I WANT that ninja costume.

Anyway, I'm a big fan and so this past fall when I was lucky enough to win a critique through a charity auction from Wink’s author/illustrator, I was thrilled.

And not only did J.C. Phillipps offer me helpful advice for the story I sent her, she also agreed to answer some interview questions about her work for the SCBWI Western Washington’s upcoming printed Chinook newsletter!

So because the newsletter will be coming out soon, I thought it might be fun to also give her a shout out here on my blog. If you haven’t read her book, go check it out. Also, take a peek at her website and her blog. I especially love the studio tour video she has put up on her website. And I love the recent posts on her blog regarding her process.

Thanks for the critique and interview, Julie! But most especially thanks for the great book! I can’t wait until your next one comes out.

Views from my studio


Rock
(This is a view from my computer's IPhoto collection. I often use photos in my collages -- so I collect oodles of "texture" pictures like this one -- everywhere I go. It's fun to look at the world through such a lens)

Paper
(Reams and reams and reams of it. Drawers of it. Piles of it. Confetti all over the floor.)

Scissors
(Run with them.)

Change

My studio is my sanctuary.
I'd rather be there than almost anywhere else.
So it's difficult to wrap my head around the fact that I'll be leaving it soon.

I guess I need to make the formal announcement. Here goes: I'm moving -- my family, my studio, my life -- to Malaysia for two years. My husband has taken a two-year assignment for work there.

As you can imagine, my little world flutters in a whirlwind right now.
This week I had to start packing.

I never in my wildest dreams ever imagined I'd be hauling my studio across the ocean!

But I am.
I have a two-year art retreat waiting for me.
You'll still be able to buy stuff from my etsy shop -- a friend said she'd take care of shipping stuff for me while I'm gone (Thanks Marcy!). But I won't be making new journals and photo albums while I'm gone (get them now, folks! I can't very well do craft shows from Malaysia!).

Instead this will be the first time in my life that I'll be dedicating 100% of my work time to children's book illustration and writing.

Watch out world.
Because even though change whirls around me and my to-do list is longer than my leg and I'm bidding adieu to beloved people and places and responsibilities
--
my center dances in the eye of the storm.
Sitting down at my drawing table to work on the children's book dummy I'm working on makes me feel giddy like an ant at a picnic. And the way I've been getting through this transition is to make sure I keep working on that story that holds my heart.
Every single work day. Every. One.

The rest of the to-do list can wait at least a few hours every day.

Question.
Do you ever find yourself whining? Dragging? Wondering how to get through?
Count your blessings.
Seriously.
Get out a journal and write a few down.
Because that's your eye of the storm.
And you can thrive there.

Good News in the mail!

The very last piece of mail in the giant stack of mail that was delivered to my house after being gone for a week was an official looking envelope from Writer's Digest.

The letter inside informed me that my story, Patchwork By The River (submitted under the title Patchwork Goodness) got an Honorable Mention in the Children's/Young Adult Fiction category of the 78th Annual Writer's Digest Writing Competition! Sweet!

It feels pretty awesome to get a happy letter in the mail, even if it's only an honorable mention. Honorable mention is nice. And for my writing, not even my art (plus I never enter contests -- this one was a fluke, I swear). Kinda makes having the flu more tolerable.

Me As A Muppet

Have you been to the Jim Henson exhibit at Experience Music Project in Seattle yet?
You only have until August 16!
I put this quote from one of the exhibit's signs in my journal:
"Jim Henson described his characters as his palette."
The best part of the day: I GOT TO BE A MUPPET!!!!!!
I even got to play in a Muppet band a few times.
Lest you think I'm exaggerating when I tell you that this moment was a dream come true, here is a picture of me from high school with my favorite puppet that I made back then:
The puppet's name is Boris. He lives above my drawing table (next to a few other puppets) and distracts my muse when I should be working. Or maybe he reminds me to use my characters as palette. Ya, that's the ticket!

As a bonus after I checked out the Jim Henson exhibit, I also checked out the exhibit: American Letterpress: The Art Of The Hatch Show Print.
I'm sorry, I failed and am blogging about this after the show is over.
But if you like letterpress work, here's a cool video that was at the show about Hatch Show Print, one of the oldest letterpress companies in the US:

Handmade Book of the Week(s) Feb 7 - Mar 1, 2009

I call this design "Tree Of Life."
I thought I'd put it up because I'm leaving for a big adventure in Spain soon. And adventure gives me life, so why not the Tree Of Life book.

I guess technically I could have had posts scheduled for the weeks I'll be gone. But that's not very much like vacation. I'm taking vacation. So this book will be book of the "week" for several weeks.

I might put up a few posts from Spain though if I feel inspired to share something cool and crafty or awesome and arty that I find. We'll see.

To see more photos or to buy the book go here.

Happy trails!

Handmade Book of the Week Jan 24 - Jan 30, 2009

I'll Fly Away...
(One of my favorite Songs)

My Fly-Away Journal is this week's book of the week in honor of the cool idea that Creative Kismet put on her blog. Many artists all over the internet partook in the "Birds Of Change Giveaway," including my friend, Kim who made an awesome bird with map wings. I was late in learning about it but maybe at a future date I'll give away one of my new Book Birds (click here for a picture of one in an old post).

Anyway, happy hope everybody!



For more pictures of the Fly-Away Journal, or to buy the book, click here.

Handmade Book of the week Nov 22 - 28, 2008

Draw on!
In honor of my drawing frenzy this month (that looks like it's going to stretch into next month too) I hereby make my pencil journal this week's book of the week.

No kidding, I had planned on making this book my book of the week this week because of the drawing frenzy. But I sold it a few days ago to one of my most favorite repeat customers. I've made her a couple of custom books -- a hamburger book and a hippo book, both for very specific and very cool purposes. I hope I get to see them filled someday. I'm super excited that this book is going to the woman that it is going to. Yay!

I decided to post it even though it's already sold. It's a cool book and it fits with my mood. But sorry folks if you want a pencil journal yourself, you'll have to order one special or check out the scissors and pencil journal I have in stock.

P.S. Isn't this shape of journal fun?

Handmade Book of the week Nov 15 - 21, 2008

Be Bold!
I've had this book in my Etsy shop for awhile. But I'm posting it for this week's book of the week because I love it. For some reason I haven't sold this type of book via my website much, even though they are hugely popular at craft shows. I think it's the kind of book that's best held and looked through if you want to appreciate it's value.

Anyway, I make this my book of the week because I'm thinking of keeping it. If no one buys in in the next few weeks, it'll be mine. It's a book I made for writers, it has a writer theme. I love the way "Bold" refers to both a kind of being and a kind of typeface. I love all the goofy little writing references inside. So, I'm making it as my book of the week to give people one last chance. This book is going to be mine if it doesn't sell soon.

Anyway, all that aside this is an upcycled/reclaimed book. I've torn out the pages on a very-out-of-date freebie book that I took from the free shelf at the library and now have given a new life. There's fun colorful pages inside, interesting visual surprises throughout and It's a darn cool journal.

To see more photos or to buy the book (which would be okay too -- it is still for sale and it makes me happy to sell my favorite books because then I can make more that are similar), click here.


Handmade Book of the week Nov 8 - 14, 2008

Cheers!
This week's handmade book of the week is a dos-a-dos wine journal, meaning it’s two books in one. A dos-a-dos book includes two books that both share the same back cover – so they are sewn together into one. One side for red wine notes, one side for white wine notes. This is the perfect journal for a wine lover or someone who loves to go wine tasting.

Click here to see more photos or to buy the book.

Handmade Books of the week Oct 10 - 17, 2008

Yay! I'm reinstating my Handmade Book of The Week segment on my blog. I'll at least keep it going from now until Christmas.
This week I'm featuring 15 ticket stub journals, pictured above. I thought since I've taken a few months off from this segment, I'd highlight enough books to make up for lost time.
A ticket stub journal is a small book, slightly larger than your average ticket stub, with empty pages meant to be filled with -- you guessed it -- stubs. In it you can store ticket stubs from sporting events, movies, fairs, plays, museums, concerts, tours or whatever else you can think of.
The ticket stub journal pictured here is an example journal that I've filled so you can see how the ticket stubs look inside my ticket stub journals. The ones I sell are, of course, blank inside.

I suggest mounting tickets by using a glue stick, double stick tape or photo mounting squares (found at craft stores). It's also a good idea to make a note on the page about who went with you to whatever you went to -- It will make your journal even more special.
I'll be putting up at least one of these books every week in my etsy shop from now through Christmas (along with up-coming books of the week). To buy a ticket stub journal or for more photos check out my etsy shop.